“I wish you would always be yourself, as you are now,” she said, “and never pose.” He needed her. She heard his passionate, low voice, as she had heard it in the little garden above Meudon: “Because you won’t be there; and without you I can do nothing.” What right had this poor, worn-out shadow to stand between them, to the end? Had love and life no claims, but only weakness? She had taken all, had given nothing. It was but reparation she was making. Why stop her?!

He rose slowly from a high-backed chair beside the fire. “The Cyril Baptiste,” he answered, in a low, even, passionate voice, that he flung at her almost like a blow. “The atheist, the gaol bird, the pariah, the blasphemer, the anti-Christ. I’ve hoofs instead of feet. Shall I take off my boots and show them to you? I tuck my tail inside my coat. You can’t see my horns. I’ve cut them off close to my head. That’s why I wear my hair long: to hide the stumps.”

The conductor seemed impatient. Joan sprang upon the step and waved her hand. “There are more important things than saving men’s bodies. You think that, don’t you?” he asked. The second was a clumsy-looking, overdressed woman whom Miss Lavery introduced as “Mrs. Phillips, a very dear friend of mine, who is going to be helpful to us all,” adding in a hurried aside to Madge, “I simply had to bring her. Will explain to you another time.” An apology certainly seemed to be needed. The woman was absurdly out of her place. She stood there panting and slightly perspiring. She was short and fat, with dyed hair. As a girl she had possibly been pretty in a dimpled, giggling sort of way. Joan judged her, in spite of her complexion, to be about forty.